Three Articulations of Hybridity and Fiction in Migration Visual Culture
The Hybrid-Fiction Database is a repository created to catalogue various forms of media hybridity in visual culture related to migration, produced between 2014 and 2024.
The database was developed as part of Giacomo Toffano’s PhD research (2020-2024) in Media and Communication at the Vrije Universiteit Brussel.
Supported by the FWO, Research Foundation, Flanders – Scholarship Number 11J0221N.
| NAME | YEAR | LANGUAGE | CREATOR | MEDIUM | INTERACTIVE | CONVERGENT or INTERMEDIAL | PERMANENT/PERFORMANCE | OVERTLY POLITICAL | INTENDED AUDIENCE/ CIRCULATION | THEME | FUNDING | FACTUAL/FICTIONAL |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Silent University | 2014 | English | Ahmet Öğüt | University Programme | Yes | Possibly | Permanent | Don’t know | Academic Researchers | Refugees’ Academia | MRC, Tate and the Delfina Foundation | In between? |
| The migrants files | 2014 | English | Journalism ++ | Web Data Visualization | Yes | Possibly | Permanent | Yes | General Public + Journalists | Deaths at Sea | Consortium of Newspapers | Factual |
| Borderline | 2014 | Not Spoken | Nevin Aladag | Video + Border Cartography | No | No | Permanent | No | Museum Audience | Border Management | Self Funded | Both |
| What if Manhattan | 2014 | English | Hamdi Foundation + UNHCR | TV Commercial | No | No | Permanent | Yes | General Public | Refugees’ Trails | Hamdi Foundation | Fictional |
| Even This Will Pass | 2014 | Not Spoken | Aida Silvestri | Pictures + Embroideries + Cartographies | No | Yes | Permanent | Yes | Museum Audience | Refugees’ Trails | Self Funded | Factual |
| Liquid Traces | 2014 | English | Forensic Oceanography | maps, video, 3D, Documents | No | Yes | Permanent | Yes | legal proceedings, parliamentary auditions | Human Rights Violation at Sea | Goldsmith University | More Factual |
| Last hijack | 2014 | English | Tommy Pallotta | interactive DOC, Comics, Data Visualization | Yes | Yes | Permanent | No | General Public | Smuggling, Piracy | Public Service Broadcaster | Factual |
| 89 Steps – Los Sures | 2014 | English | Pov Sparks, Am DOC | interactive DOC | YES | Possibly | Permanent | No | General Public | Immigration / Belonging | PBS – Pov sparks | Factual |
| Atlantic. | 2014 | Arabic | Van Ewijk | Film | No | No | Permanent | No | General Public | Refugees’ Trails | ? | Fictional |
| Immigrant Nation | 2014 | English | Theo Rigby | Documentary, interactive storytelling Website | Yes | Yes | Permanent | No | General Public | Immigration / Belonging | PBS – Pov sparks | Factual |
| Queens of Syria | 2014 | Arabic | Yasmin Fedda | Documentary + Performance | No | Yes | Both | No | General Public | Womena at Conflict | Oxfam/Refuge Productions | Both |
| Silvered Water | 2014 | Arabic | Ossama Mohammed and Wiam Simav Bedirxan | Documentary | No | YEs | Permanent | No | General Public | Syrian War | ARTE France Cinéma | Both |
| Cartographies Traverses (Crossing Maps) | 2014 | French | Sarah Mekdjian and Anne-Laure Amilhat Szary | Cartography + drawings+ Knittings + sound installations | Yes | Yes | Both | Yes | General Public + Academia | Refugees’ Trails | EuBordescapes | Both |
| Im Land der Frühaufsteher | 2014 | German | Paula Bulling | Comic Book + Cartography | No | No | Permanent | No | General Public | Migrant Hospitality | Avant-Verlag | Both |
| Borderline | 2014 | Not Spoken | Nevin Aladag | Video + Border Cartography | No | No | Permanent | No | Museum Audience | Border Management | Self Funded | Both |
| Those Who Feel The Fire Burning | 2014 | Dutch | Morgan Knibbe | Film | No | No | Permanent | No | General Public | Refugees’ Trails | BALDR Film | FIctional |
| The displaced | 2015 | English | The New York Times | VR Documentary | Yes | Yes | Permanent | No | General Public | Migration Trails | NYT | Both |
| The fight for Falluja | 2015 | English | The New York Times | VR Documentary | Yes | Yes | Permanent | No | General Public | Migration Trails | NYT | Both |
| Seamless Transition | 2015 | No Sound | James Bridle | Video | No | Possibly | Permanent | Yes | General Public | Asylum Seekers Procedures | Private (Art Gallery Commission) | In Between |
| Labyrinth | 2015 | English | Nicolas Stennman | Theater Play | Yes | No | Performance | Yes | General Public | Asylum Seekers Procedures | ? | Fictional |
| So you think you can Stay | 2015 | English/Norwegian | Norwegian Organization for Asylum Seekers | Talent Show | Yes | No | Permanent | No | General Public | Asylum Seekers Procedures | Fictional | |
| BRAK | 2015 | English | Lauren van Lancker | Film | No | No | Permanent | No | General Public | Borders, Distopia | Self Funded | Both |
| On the Bride’s Side | 2015 | Arabic/Italian | Augugliaro, Del Grande, Al Nassiry | Documentary, Performance | No | No | Both | Yes | General Public | Refugees’ Trails | Crowdfunded? | In Between |
| Locust Girl – A lovesong | 2015 | English | Melinda Bobis | Book | No | No | Permanent | No | General Public | Borders | Self Funded | Fictional |
| Vertigo Sea | 2015 | English | John Akomfrah | Multi-Channel Video Installation | No | Yes | Both | No | General Public | Colonialism | Smoking Dogs Films | Fictional |
| Flotel Europa | 2015 | Bosnian | Vladimir Tomic | Essay Film | No | No | Permanent | No | General Public | Detention Center | Danish Film Institute | Both |
| Locking Up immigrants for Profit | 2015 | English | Molly Crabapple | Drawings Investigation | NO | Yes | Permanent | Yes | General Public | Detention Center | Both | |
| Eating The Refugees | 2016 | German | Zentrum Für Politische Schönheit | Video + Performance | No | Possibly | Both | Yes | Lawmakers, General | Refugees’ Trails | Self Funded + Crowdfunded | Fictional |
| Maps | 2016 | Not Spoken | Servet Kocyigit | Texile Cartographies | No | Yes | Permanent | No | Museum Audience | Migration Trails | Self Funded | Fictional |
| Nostra signora delle coperte isotermiche | 2016 | Italian | Giacomo Sferlazzo + Unknown Migrant | Statue exhibition + Poetry | Yes | Yes | Permanent | Yes | General Public | Deaths at Sea | Self Funded | Both |
| Flights & suspended | 2016 | English | Arabella Dorman | Interactive Wall + Hanged Clingy | Yes | Yes | Performance | Yes | General Public | Deaths at Sea | Self Funded | Both |
| Exodus | 2016 | English/Arabic | Hassan Akkad | Documentary + Migrant Phones Footage | No | Yes | Permanent | Yes | General Public | Border Crossings | BBC | Factual |
| #Refugees – Human Flow – Safe Passage | 2016 | English | Ai Weiwei | Documentary | No | Yes | Permanent | Yes | General Public | Refugees’ Trails | Self Funded? | Both |
| schaffen wird as | 2016 | German | Axel Springer | cross-media digital journalism | Yes | Yes | Permanent | Yes | General Public | Migration Integration | Axel Springer | Factual |
| The mapping Journey Exhibition | 2016 | English/Arabic | Bushra Khalili | Cartography + Drawings + Video | No | Yes | Both | Yes | General Public | Refugees’ Trails | Self Funded? | Both |
| Clouds over Sidra | 2016 | English | UNHCR | 3D | Yes | Possibly | Permanent | No | General Public | Refugee Camps | UNHCR | Factual |
| Havarie | 2016 | English/French/Algerian | Philip Scheffner | Documentary | No | No | Permanent | Yes | General Public | Deaths at Sea | Pong/Arté/Filmförderungsanstalt | FIctional |
| Exodus: Our Journey to Europe (2016). | 2016 | Multiple | James Bluemel | Documentary Series | No | Yes | Permanent | No | General Public | Refugees’ Trails | BBC | Factual |
| Auto Da Fé | 2016 | Not Spoken | John Akomfrah | Video Installation | No | No | Permanent | No | General Public | Migration / Religion Persecution | Smoking Dogs Films | FIctional |
| Les Sauteurs (Those Who Jump) | 2016 | French/Bambara | Abou Bakar Sidibé | Documentary (Self Shot and Found footage) | No | Yes | Permanent | No | General Public | Border Crossings | Danish Film Institute | Both |
| Constellations | 2016 | English | Bouchra Khalili | Cartography + Video + silkscreen prints | No | Yes | Both | No | General Public | Refugees’ Trails | Moma | Both |
| Havarie | 2016 | English/French/Algerian | Philip Scheffner | Essay Film | No | No | Permanent | Yes | General Public | Deaths at Sea | Pong/Arté/Filmförderungsanstalt | FIctional |
| Blaming The Rescurers | 2017 | English | Forensic Oceanography | Video, Infographics, Maps, 3D renders | No | Possibly | Permanent | Yes | General Public + Justice Court | Deaths at Sea | Goldsmith University | In between |
| The Absence of Paths | 2017 | English/Arabic | Lina Lazaar | Performance + Documentaries | Yes | Yes | Both | Yes | General Public | Refugee Camps | Tunisian Governement | Both |
| Ghost Boat | 2017 | English | Eric Reidy | Participative web Investigation | Yes | Possibly | Permanent | Yes | General Public + Journalists | Deaths at Sea | read Matter | Both |
| Stations of Crossings | 2017 | English | Luceo | Paintings | No | Possibly | Permanent | No | General Public | Border Crossings | Undisclosed | Fictional |
| Another News Story | 2017 | English | Wallace | Film | No | No | Permanent | Yes | General Public | Media Coverage Migration | Crowdfunded + Others | More Factual |
| Stranger in Paradise | 2017 | English | Guido Hendrikx | Film | No | No | Permanent | Yes | General Public | Migration Power Dynamics | Private | Fictional |
| Integration | 2017 | Serbian | Zoran Todorovic | Documentary + Performance | No | Possibly | Both | No | General Public | Refugees’ Trails | Private | Fictional |
| Half a mile from Lampedusa | 2017 | English | Tamara Kametani | Cianotypes fading without fixer | No | Yes | Both | Yes | General Public | Refugees’ Trails | Private | Fictional |
| Roma Armee Faktion | 2017 | Romani | Damian Le Bas | Cartography + Drawings | No | Yes | Permanent | No | General Public | Displacement, Borders | Fictional | |
| The Sea Stayed Calm for 180 Miles | 2017 | Not Spoken | Tamara Kametani | Art Installation, Google Maps, Pieces of Boats, Video, Sounds | Yes | Yes | Permanent | Yes | Museum Audience | Border Politics, Surveillance, Resistance | Self Funded | Both |
| I am Rohingya | 2017 | English | Al Jazeera – Contrast | 3D, Comics | Yes | Yes | Permanent | Yes | General Public | Refugees’ Trails | Al Jazeera | In Between |
| Forced To Flee | 2017 | English/Rohingya | Al Jazeera – Contrast | 3D, Animation, Cartographic Visualization | Yes | Yes | Permanent | Yes | General Public | Refugees’ Trails | Al Jazeera + Amnesty | In Between |
| Incoming | 2017 | Not Spoken | Richard Mosse | |||||||||
| Carne y Arena (Virtually present, Physically invisible) | 2017 | Multiple | Alejandro G. Iñárritu | VR Experience | No | Yes | Both | No | General Public | Refugees’ Trails | ILMxLAB | Both |
| Happy End | 2017 | French | Michael Haneke | Film | No | No | Permanent | No | General Public | Refugees’ Trails | Arte France Cinéma | FIctional |
| Chauka, Please Tell Us the Time | 2017 | English/Persian | Behrouz Boochani Arash Kamali Sarvestani | Documentary filmed with Smartphone | No | Yes | Permanent | Yes | General Public | Detention Center | Sarvestani | Both |
| We Are Not Refugees, We Are Human | 2017 | Arabic | Mustafa Hadj Rasheed | Cartography | No | No | Permanent | YEs | General Public | Refugees’ Trails | Self Funded | Both |
| Those Who Did Not Cross | 2017 | English | Levi Westerveld | Cartography | No | No | Permanent | yes | General Public | Deaths at Sea | Self Funded | More Factual |
| Jupiter’s Moon | 2017 | Hungarian | Kornél Mundruczó | FIlm | No | No | Permanent | No | General Public | Pushbacks | Match Factory Productions | FIctional |
| Exit West | 2017 | English | Mohsin Hamid | Book | No | No | Permanent | No | General Public | Migration / Belongings | Undisclosed | Fictional |
| Forced from HOME | 2018 | English | Doctors without borders | VR + Videos + Documents | Yes | Yes | Permanent | Yes | General Public | Refugee Camps | MSF | Factual |
| Season 4 – Go Back to Where You Came From Live | 2018 | English | Cordell Jigsaw Productions | Reality Show + Online Interactive Game + Teaching Resources | Yes | Yes | Permanent | No | General Public, Kids | Asylum Seekers Arrivals in Australia | Public Service Broadcaster | Fictional |
| Mare Clausum | 2018 | English | Forensic Oceanography | Political Manifesto + Cartography + Video | Yes | Yes | Permanent | Yes | General Public + Policy Makers | Deaths at Sea | Goldsmith University | Factual |
| Refugees Republic | 2018 | English/Duthc | Submarine Channel | Interactive Video, Maps, Exhibition | Yes | Yes | Both | No | General Public | Refugee Camps | Japanese Pavillion Biennale Venice | Both |
| The alien Trail | 2018 | Greek | Nicolas Iordanou | Documentary + Exihibition + Workshops | Yes | Yes | Both | Yes | General Public | Refugee Camps | European Capital of Culture Pafos 2017 | Factual |
| The Moving Image | 2018 | English | Stefan Jorgensen | Documentary | No | Possibly | Permanent | Yes | General Public | Refugees’ Trails | Self Funded? | In Between |
| Expulsions | 2018 | English/Spanish/Portuguese | Autonoma, MediaLab-UFRJ, Forensic Architecture | Cartography + Video + Interactive Data Visualization | Yes | Yes | Permanent | Yes | General Public + Justice Court | Displacement, Borders | INREDH | Factual |
| A View from Above – Balloon Mapping Bourj Al Shamali | 2018 | English | Claudia Martinez Mansell, Mustapha Dakhloul, Firas Ismail | Cartography + Academic Text + Picture | Yes | Yes | Both | Yes | General Public | Refugee Camps | Self Funded | Both |
| Agean Boat Report | 2018 | English | Tommy Olsen | Blog Diary + Data Visualization | Yes | Possibly | Permanent | Yes | General Public + Rescue Operators | Deaths at Sea | Private + Norvegian Grants | Factual |
| Revenir | 2018 | English/French | David Fedele and Kumut Imesh | Documentary (Self Shot and Found footage) | No | Yes | Permanent | No | General Public | Migration Trails | House of Mahogany | Both |
| island of the hungry ghosts | 2018 | English/Mandarin/Malay | Gabrielle Brady | Hybrid Documentary | No | No | Permanent | No | General Public | Detention Center | Autlook Filmsales | Both |
| Fifth Cinema | 2018 | Nguyễn Trinh Thi | Hybrid Documentary | No | Yes | Permanent | No | General Public | Colonialism | DocLab | Both | |
| island of the hungry ghosts | 2018 | English/Mandarin/Malay | Gabrielle Brady | Film | No | No | Permanent | No | General Public | Detention Center | Autlook Filmsales | Both |
| Topological Atlas | 2018 | English | Nishat Awan | Cartography + Installation + Interviews | No | Yes | Both | Yes | General Public + Academia | Migration Trails | European Research Council | Both |
| Zaatari Radio | 2018 | English/Arabic | Mawja Radio | Radio + Community Building Intitiative | Yes | Yes | Permanent | Yes | General Public | Refugee Camps | Acting for Change International | Both |
| One way ticket: Jackob Lawrence’s Migration Serie | 2019 | English | Moma | Web Art Exhibition | Yes | Yes | Permanent | No | General Public | Migration History | Moma | Both |
| Fady | 2019 | English/Arabic | Forensic Architecture | Video, 3D, Maps, Documents | Yes | Yes | Permanent | Yes | Migrants, Lawmakers, General | Pushbacks | Goldsmith University, Open Society Foundation, Human Rights 360 | More Factual |
| in vitro | 2019 | Larissa Sansour | Sci fi Short | No | No | Permanent | No | General Public | Palestinian Nahba | La Biennale di Venezia | Both | |
| Walls 2.0: Augmenting border reality | 2019 | English | Tamara Kametani | Interactive Video, Augmented Reality App | yes | Yes | Permanent | Yes | General Public | Borders | Self Funded | Fictional |
| Midnight Traveller | 2019 | Arabic | Hassan Fazili | Film + Shot by Phone | No | Possibly | Permanent | no | General Public | Refugees’ Trails | PBS – Pov sparks | Factual |
| Cambera Obscura | 2019 | Not Spoken | Otto Banovitz | FIlm | No | No | Permanent | Yes | General Public | Refugees’ Trails | Private | Factual |
| bab sebta | 2019 | Spanish | Randa Maroufi | Film | No | Yes | Permanent | No | General Public | Border City of Ceuta | Private | Fictional |
| The Queen Versus Godfred | 2019 | English | Pov Sparks | Dynamic visuals, audio storytelling, and investigative documents | Yes | Yes | Permanent | Yes | General Public | Violence against migrants | co-production with Lost Time Media, Big Cedar Films, and the National Film Board of Canada. | More Factual |
| For Sama | 2019 | Arabic | Waad Al-Kateab and Edward Watts | Documentary | No | Yes | Permanent | No | General Public | Syrian War | PBS Frontline | Both |
| Border Control | 2019 | Not Spoken | Peggy Ahwesh | Multi-Channel Video Installation | No | Yes | Permanent | No | General Public | Border Crossings | Microscope Gallery, | Both |
| Atlantics | 2019 | Wolof | Mati Diop | Film | No | NO | Permanent | No | General Public | Migration / Belongings | Arte France Cinéma | Fictional |
| cov19chronicles.com | 2020 | English | Marie Gillespie | Website + Exhibition | Yes | Yes | Both | Yes | General Public + Academia | Covid 19 and Migration | Academic | Both |
| Juventa-Crew.Org/case | 2020 | English | Juventa | Website + 3D Renders + Maps + Fundraising | Yes | Yes | Permanent | Yes | General Public | Rescue Operations | Self Funded | Factual |
| Dark Vessel Detection | 2020 | English | ICEYE | Web Cartography | Yes | No | Permanent | No | Governamental Authorities | Illegal Vessels Detection | Private | Factual |
| The Book of Distance | 2020 | English | Randall Okita | VR Documentary | Yes | Possibly | Permanent | No | General Public | Immigration / Belonging | NFB | Fictional |
| Living In the Unknown | 2020 | English/Uigur | Al Jazeera – Contrast | Video, Infographics, Maps, VR documentary | Yes | Yes | Permanent | Yes | General Public | Refugees’ Trails | Al Jazeera | In Between |
| Queer in the Time of Forced Migration | 2020 | English | Tamara Shogaolu | Film + VR + Website | Yes | Yes | Permanent | Yes | General Public | LGBTQ Refugees | NL Film Funds + Others | Both |
| Purple Sea | 2020 | Arabic | Alzakout | Documentary, Poetry | No | Possibly | Permanent | No | General Public | Refugees’ Trails | Self Funded? | In Between |
| Migrantes de Otro Mundo | 2020 | Spanish | Bellingcat and many others | Collaborative Investigation (Interacttive Data + Videos) | Yes | Yes | Permanent | No | General Public | Refugees’ Trails | Many | More Factual |
| Necropolitics | 2020 | English | Arkadi Zaides | Theater Play | no | no | Performance | Yes | General Public | Deaths at Sea | Charleroi Danse + CCN2 | FIctional |
| Ailleurs Partout | 2020 | English/French/Persian | Isabelle Ingold and Vivianne Perelmuter: | Documentary | No | Yes | Permanent | No | General Public | Refugees’ Trails | Dèrive | Both |
| Teatro di Nascosto (By Stein from ECHO) | 2020 | Multiple | Annet Henneman | Theater Play | No | No | Performance | Yes | General Public | Migration / Belongings | ||
| His House | 2020 | English/Dinka | Remi Weekes | Film | No | No | Permanent | No | General Public | Migration / Belongings | BBC Films | Fictional |
| Refuge Worldwide | 2021 | English | George Patrick, Richard Akingbehin | Webradio + Fundraising Platform | no | Possibly | Permanent | No | General Public | Migrant Hospitality | Private | None |
| A polish Journey | 2021 | Polish/English | Julian Konczak | Web Documentary | Yes | Yes | Permanent | No | General Public | Refugees’ Trails | Undisclosed | Fictional |
| Cartography | 2021 | English | Kaneza Schaal, Christopher Myers | Theater Play | Yes | No | Performance | No | General Public, Kids | Refugees’ Trails | Undisclosed | Fictional |
| As far as I can walk | 2021 | English | Arsenijević | Film | No | No | Permanent | No | General Public | Refugees’ Trails | Co production Serbia-France-Luxembourg-Bulgaria-Lithuania | Fictional |
| Rohingya – People from Nowhere | 2021 | Rohingya | Khan | Film | No | No | Permanent | General Public | Refugees’ Trails | “In Between” allegedly | ||
| Shadow Game | 2021 | English/Arabic | Eefje Blankevoort And Els Van Driel | Documentary, Social Media, Investigative Campaing, Exhibition | Yes | Yes | Permanent | Yes | General Public | Refugees’ Trails | Dutch Cinema Council + Unhcr + Many others | In Between |
| Otherly | 2021 | English | Several Directors | Documentary on Social Media | Possibly | Yes | Permanent | No | General Public | Immigration / Belonging | NFB (Canada Public) + POV Spark (Interactive arm of PBS) | Factual |
| Barcelona a Welcoming City (Its participative) | 2021 | Spanish | Christin Schuchardt | Documentary + Etnographic Research | No | Yes | Permanent | Yes | General Public | Migrant Hospitality | ||
| Beyond the raging Sea | 2021 | English | Orsini | Documentary | No | No | Both | No | General Public | Refugees’ Trails | DHL | Both |
| A Journey with a camera in 5 movements | 2021 | English | Kimi Maeda | 3D | YEs | Possibly | Permanent | No | General Public | Refugees’ Trails | PBS – Pov sparks | Factual |
| Flee | 2021 | Danish/English | Jonas Poher Rasmussen | Documentary (animation and live-action archival footage) | No | Yes | Permanent | No | General Public | Refugees’ Trails | Hellström | Both |
| THE ISLAND MONICA DE MIRANDA | 2021 | Portuguese | Monica de Miranda | Film + Photo Exhibition | No | Yes | Permanent | No | General Public | Afrodiasporic Lifes | Arts Council England | Fictional |
| Mapping Refugee Camps | 2022 | Not Spoken | Servet Kocyigit | Cartography + Installation | No | Yes | Permanent | No | Museum Audience | Migration Trails | Self Funded | Fictional |
| Europa | 2022 | French/Arabic | Philip Scheffner | Film | No | No | Permanent | No | General Public | Pushbacks | Pong Film | Both |
| R21 AKA Restoring Solidarity | 2022 | Arabic/Japanese/English | Mohanad Yaqubi | Film | No | Yes | Permanent | No | General Public + Academia | Palestinian Nahba | Idioms Film | Both |
| We Others | 2022 | French/English/Dutch/Arabic/Farsi | Laurent Van Lancker | Hybrid Documentary | No | Yes | Permanent | No | General Public | Border Crossings | Roue Libre Productions | Both |
| Europa | 2022 | French/Arabic | Philip Scheffner | Film | No | No | Permanent | No | General Public | Pushbacks | Pong Film | Both |
| Migration VFR | 2023 | English | Benjamin Renner | Animation film | No | No | Permanent | No | Kids | Migration Trails | Universal | Fictional |
| Deadlands | 2023 | English | Lance Larson | Film | No | NO | Permanent | No | General Public | Border Crossings | Dean White | Fictional |
| The quiet migration | 2023 | Danish | Malene Choi | Film | No | No | Permanent | No | General Public | Immigration / Belonging | Danish Film Institute | FIctional |
| Transborder Immigrant Tool | 2007 – Ongoing | English | Electronic Disturbance | Web Application | Yes | Yes | Permanent | Yes | General Public | Border Crossings | New Museum – Public | Fictional |
| Simple as ABC | 2014 – Ongoing | Arabic/English/Farsi/French/Greek | Thomas Bellinck | Audio Recording/Video/Lectures/Theater/Documentary | No | Possibly | Both | Yes | General Public | Border Management | Flemish Community | Both |
| Sirkane Darkroom | 2017 – Ongoing | English/Turkish | Ahmet kELEŞ | Video + Participative Photoexibition + Workshop + Instagram Channel | Yes | Possibly | BOth | Yes | General Public | Refugee Camps | Undisclosed | Both |
| Tiffany Chung (cartography) | 2017 – Ongoing | English | Tiffany Chung | maps, video, Performance | No | Yes | Permanent | Yes | General Public | Displacement, Borders | Private | FIctional |
| Human Activities – White Cube | 2017 – Ongoing | English | Renzo Martens | Documentary + Exihibition + Activism Campaing (CATPC) | Yes | Yes | Permanent | Yes | General Public | Reverse Gentrification | Both | |
| Diwana | 2018-2020 | Arabic/English | Randa Maroufi | Cianotypes + Cartography of Smugglers | no | Possibly | Permanent | No | General Public | Refugees’ Trails | Self Funded? | Fictional |
| Un giorno la notte | Forthcoming | Italian | Michele Aiello, Michele Cattani E Sainey Fatty | Documentary Film | Possibly | Possibly | Permanent | Don’t know | General Public | Handicap in Refugees | Private | More Factual |
| Now you see me Moria | Ongoing | English | Collaborative | Social Media + Collaborative Poster Campaing | Yes | Possibly | Both | Yes | General Public + Journalists | Refugee Camps | Self Funded? | Factual |
| Careforce | Ongoing | English | Marisa Morán Jahn | Audionovela, Film, Paper Toolkits, Dance Performance | Yes | Yes | Both | Don’t know | Immigrants/Care workers | Immigrant careworkers’ Rights | Fictional |